Tag Archives: design

Redeeming My Soul (Journal 4)

I am currently rewriting/reworking our department’s Web site content as well as the overall structure. It is a disaster! It has been a lesson in why people who do NOT understand how people read content online should not be responsible for posting content, let alone creating the structure in which that content resides. Jennie Robinson’s article, Resurrect Your Writing, Redeem Your Soul, is, in regards to my current task, “Heaven Sent!” As Robinson so poignantly states,

Bad writing that has been “Webified” can look great on screen and to search engines, but to human beings, it’s still just bad writing.
…We Web people know there’s a better way, but we fear exclusion if we abandon the cult of pressed and filtered pseudo-communication.
You know you’re on the Information Superhighway to Hell if crap like enhance, leverage, implement, context, driver, focus, core, actionable, outcome and stakeholder crops up in your copy.

Robinson notes that you should avoid buzzwords and corporate lingo on your business site—who other than those “in the know” will know what you are talking about?! Instead, use plain English or descriptive writing to express the same ideas to a global audience. I have always been taught that you should write for “scanning” on the Web, but Robinson argues

…our gurus say people don’t read on the Web because they’re jolt-addicted, impatient, and impulsive. And when they do read, they certainly shouldn’t have to think! They scan and skim, so long or too-lively text can’t possibly communicate meaning quickly enough.

Are people still in a mad rush for that one salient bit of info? (Were they ever?) Or do they more quickly recognize ill-intentioned writing, engorged with confused cliches and lacy lingo? Even if they’re not under time constraints, they’re left with no choice but to filter out useless information or surf on. We’re catering to a “need” to escape Web pages that our poor, humorless writing instilled in our audience in the first place. Caving in to conventions won’t help you rise above the drone of dull.

Some need or notion inspires what you’re doing on the Web. Give people some credit—doling out an information fix doesn’t have to preclude thoughtful writing. …Web copy is rhetorical—that is, it is meant to affect individual human beings.

…Avoid just defining who you are and what you’ve got; instead, describe people and their real problems. Demonstrate your understanding, don’t just proclaim it.

So, what does this all mean for my overwhelming task and the hours of work already invested? I guess another look would be worth taking. After all, “when the copy saints go marching in, [I want to] be in that number” (Robinson 2005).

Eye Candy (Journal 2)

In Stephen P. Anderson’s article, In Defense of Eye Candy, he discusses the importance of aesthetics in appealing to users:

…[A]esthetics is concerned with anything that appeals to the senses—not just what we see, but what we hear, smell, taste, and feel. In short, how we perceive and interpret the world. As user experience professionals, we must consider every stimulus that might influence interactions. …[A]esthetics is not just about the artistic merit of web buttons or other visual effects, but about how people respond to these elements. Our question becomes: how do aesthetic design choices influence understanding and emotions, and how do understanding and emotions influence behavior?

Anderson points out that aesthetics communicate function to a user, making it easier for a user to know when to push the button (because it actually looks like a button) or when they have done something wrong (because a message is shown in red). He also mentions that the more attractive something is to a user (look), the user is more likely to use that piece of functionality.

According to a 2002 study, the “appeal of the overall visual design of a site, including layout, typography, font size, and color schemes,” is the number one factor used in evaluating a website’s credibility.

Interfaces speak to our emotions. We are attracted to pretty things. So, as Anderson argues, why shouldn’t our web sites be visually “pretty” or rather, appealing, to our users?

Emotional design is not a new concept, but is apparently one that is overlooked by designers, product developers, and marketers alike. In relation to web design, Frank Spillers states:

Emotion is one of the strongest differentiators in user experience namely because it triggers unconscious responses to a product, website, environment or interface. Our feelings strongly influence our perceptions and often frame how we think about or refer to our experiences at a later date.

When we think about emotion design and usability, we typically think of it as “keeping the user happy”. This includes designing to minimize the common emotions related to poor usability such as frustration, annoyance, anger and confusion. …

A well organized website with a professional, “clean look and feel”, with intuitive navigation and task-oriented functionality influences the following emotional reactions:

  • Perception of credibility
  • Trust
  • Perception of security
  • Overall perceived ease of use

For more information on emotional design, please visit the following: